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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography New edition
Øystein Sjastad
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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography New edition
Øystein Sjastad
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.
176 pages, Includes 20 b&w illustrations
| Media | Bøker Innbunden bok (Bok med hard rygg og stivt omslag) |
| Utgitt | 28. juni 2014 |
| ISBN13 | 9781472429445 |
| Utgivere | Taylor & Francis Ltd |
| Antall sider | 190 |
| Mål | 243 × 167 × 17 mm · 560 g |
| Språk | Engelsk |
| Serieredaktør | Woodfield, Professor Richard |
Se alt med Øystein Sjastad ( f.eks. Pocketbok og Innbunden bok )